What I make
These are the shapes I come back to most often. Treat them as starting points rather than a menu — if you have something else in mind, describe it and we will work out how to make it.
And beyond
Whatever you can picture
How it works
From your idea to your door
A machine does the repetitive parts — the cutting, the carving, the hundredth identical slot that would take an evening by hand. I do the parts that need a person: working out the design with you, and the finishing, which is all done by hand.
That split is the whole trick — it keeps the hours down, and the price with them.
You send the idea
A photo, a sketch, a measurement, or a sentence describing the thing you cannot find. Whatever you have is enough to start.
I come back with a proposal
What I would make, what it costs and how long it will take, and anything the design needs before it goes on the machine. Finding that out costs nothing.
You say yes, and it starts
Once you have approved the proposal, it goes on the machine. Nothing is cut before you are happy with the plan.
You watch it come together
Photos as it goes, so you can see it come to life — then it is finished, packed and on its way to you.
Recently off the bench
Selected work
Have something in mind?
Send over a photo, a sketch, or the measurements of the space it has to fit. I will work out what the design needs, then come back with a price and a timeline.
Commission somethingThe work
Pieces already made
Each of these was made once, for one person. Yours will be its own thing.
Yours is not on this page yet.
That is rather the point. Tell me what you have in mind and we will work out how to make it.
Commission somethingThat piece doesn't exist. Back to the work.
Start a piece
Tell me what you have in mind
A pet, a portrait, a logo, a place that matters to you — or something with no picture attached at all. Sending this just starts a conversation, and a half-formed idea is plenty to start from.